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07

ART INSTALLATION

  • Kohei Nawa

    'Memorphosis Garden'

    2F central atrium

    2021.4.12-2022.4 (planned)

    Click here for details

  • ■Kohei Nagawa | Sandwich Inc.

"Methamorphosis Garden" is an installation on the theme of a world where life and substances or ambiguous things at the border coexist. As a development of the installation of Biota (Fora) in the Seto Inland Sea and Inujima, a new story from chaos was expressed. "Ether" and "Trans-Deer" as symbols of life standing up there with irregular islands and drops. Sculptures covered with grains of alumina and microbeads float in the atrium space. There, AR performances co-produced by choreographer Damian Jare develop, and the constantly changing world overlaps with real objects and AR images.

Kohei Nawa

Sculptor/Sandwitch Inc. presided over / Professor of Kyoto University of the Arts
Born in 1975 Based in Kyoto. In 2003, he completed a doctoral sculpture major at Kyoto City University of the Arts Graduate School of Art. Get the first doctor. Founded Sandwitch in 2009. Nawa focused on the epidermis of sculpture as an interface that connects to the senses, and in 2002 announced PixCel, a symbol of the information age, based on the concept of cell (cells and grains). Under the theme of the relationship between life and space, sensibility and technology, painting with gravity "Direction", "Force" where silicone oil pours into the air, "Biomarix" of foam and grid appearing on the liquid surface, and "Foam" where the foam itself grows into a huge volume, the definition of sculpture is flexibly interpreted, and the perception of the material is opened to viewers. In recent years, he has also worked on architectural projects such as the art pavilion "Kouiwa". Since 2015, he has been performing a performance work "VESSSEL" in Japan and abroad in collaboration with Belgian choreography / dancer Damian Jare. In 2018, a special sculpture "Throne" was exhibited in the pyramid of the Louvre Art Museum in France.

PAST

Tokuhito Yoshioka

'Prismatic Cloud'

Klaus Haapaniemi

"Celebration of Life - the Sea of the Stars -"

Chiharu Shioda

'Six ships'

Nicolas Buffe

"Fantastic Gift"-The Story of "Winter Kingdom" and "Summer Kingdom"

Daniel Bulen

“Like a flock of formations: work in it”

Yayoi Kusama

"Curry,"

  • Tokuhito Yoshioka

    'Prismatic Cloud'

    2F central atrium

    2020.2.27-2021.223

Tokuhito Yoshioka, an artist who works in the fields of art, design, and architecture, and has a poetry and magnificent work on the theme of nature. This installation that transcends the sense is a sculpture of light inspired by huge clouds.

Tokuhito Yoshioka

Artist. Born in 1967. He studied design under Shiro Kuramata and Kazuo Miyake, and established Tokuhito Yoshioka Design Office in 2000. He is active in the fields of design, architecture, and contemporary art, and his poetry works are internationally recognized. Representative works include the glass bench `` Water Block '' permanently displayed at the Orsay Museum, the crystal prism architecture `` Rainbow Church '', the crystal chair `` VENUS '', the glass tea room `` Koan '', etc. The Tokyo 2020 Olympic and Paralympic Games are designed for a torch relay torch. His works are permanently owned by the Museum of Modern Art in New York, the Museum of Modern Art in France, and other major museums around the world. He has won numerous international awards, including the Mainichi Design Award, the Minister of Education, Culture, Sports, Science and Technology Newcomer Award, the Design of the Year, and the Milano Design Award. He has been selected as one of the "100 Japanese Respected by the World" by the American News Week magazine.

  • Klaus Haapaniemi

    "Celebration of Life - the Sea of the Stars -"

    2F central atrium

    2019.11.05-2020.02.15

With the appointment of Finnish artist Klaus Herpanniermi, he has been promoting a promotion entitled "Celebration of Life-Hoshi no Umi Festival". GINZA SIX develops the world of the work "Astral Sea" drawn on the universe, and Lightning Whales (lighting hoele) traveling in space beyond time and time will appear in the central atrium space. .

Klaus Haapaniemi

Born in 1970 in Helsinki, Finland, Klaus Haapaniemi was influenced by the natural and traditional beauty of his native land. His work embodies a unique perspective, style, and feel, a fusion of fantasy and realism. In addition to the creative development of his original artworks, he has collaborated with a range of companies, including Iittala and Established ＆ Sons. In 2015, he designed the costumes and stage decorations for the Finnish National Opera. In 2019, Kadokawa published the first collection of his works, Klaus Haapaniemi~ Yume no Fukei.

© 2019 KLAUS HAAPANIEMI All Rights Reserved.
Rights Management： BLUEFOLIO INC.

  • Chiharu Shioda

    'Six ships'

    2F central atrium

    2019.02.27-2019.10.27

This work, in which six ships, up to a maximum length of 5 meters, decorated the central atrium space under the theme of "Six Ships", is a "memory sea" in Ginza, which has survived many difficulties after the war and has been revived. Expresses how six ships sail and move forward.

Supervised by Mori Art Museum

Chiharu Shioda

Born in Osaka in 1972. I live in Berlin. In 2008, he won the Minister of Education, Culture, Sports, Science and Technology Newcomer Award. Participation in the South Australia Museum of Art (2018), Yorkshire Sculpture Park (2018), the Smithsonian Museum Arthur M. Sackler Gallery (2014), the Kochi Prefectural Museum of Art (2013), the Marugame City Genichiro Inokuma Museum of Contemporary Art (2012) In addition to solo exhibitions at the National Museum of International Art (Osaka, 2008), the Sydney Biennale (2016), the International Fenna In 2015, the 56th Venechia Biennale International Art Exhibition Japan Main Building Representative. The largest solo exhibition will be held at the Mori Art Museum in June 2019.

Photo: Kenkato

  • Nicolas Buffe

    "Fantastic Gift"-The Story of "Winter Kingdom" and "Summer Kingdom"

    2F central atrium

    2018.11.12-2019.02.20

In the 2018 holiday season, a “shining elephant” with a height of about 3m and a total length of more than 4m appears in the central atrium space. A small angel "Putti" exhibited a scene of a story that uses a drone to carry "shining elephant" from "summer kingdom" to "winter kingdom".

Fantastic Gift Story

Nicolas Buffe

Born in Paris, France, in 1978, and relocated to Tokyo in 2007, Nicolas Buffe creates his own unique worlds through a remarkable blending of Japan’s anime culture, an influence since his youth, with American subcultures, based on the background of baroque art, and traditional forms of European culture from the medieval and Renaissance periods. Inspired by the humanist concept of serio ludere, or serious play, his works incorporate visual elements and interactive experiences fused with narrative elements.

  • Daniel Bulen

    “Like a flock of formations: work in it”

    2F central atrium

    2018.4.2-10.31

In the central atrium space of GINZA SIX, which celebrated its first anniversary, a new installation using a 8.7 cm stripe pattern, a trademark of a French artist Daniel Bullen who has been developing many works around the world for more than 50 years. On display. A work using a total of 1,500 red and blue flags colored the atrium.

Supervised by Mori Art Museum

Daniel Bulen

Born in Paris and France in 1938. Artist. Since 1965, he has produced many 8.7 cm wide striped works based on his logic. The work has been developed in a wide range of media, including paintings, sculptures, walls, and buildings, and has produced more than thousands of works so far.

© DB-ADAGP, Parais ＆, 2018 G1226

  • Yayoi Kusama

    "Curry,"

    2F central atrium

    2017.4.20-2018.3.21

In the large atrium space located in the center of the facility, under the supervision of the Mori Art Museum, a new installation by avant-garde artist Yayoi Kusama, who is active in art scenes around the world, was exhibited for a limited time, and the opening of the business was excited. Yayoi Kusama participated in the art scene in New York in the 1960s and has been active since then, and is the most internationally known artist for Japanese people. The important image of the work is dots (water balls) and nets, and pumpkins often appear as motifs.

Supervised by Mori Art Museum

Yayoi Kusama

Born in Matsumoto, Nagano Prefecture in 1929. He studied Japanese painting at an art school and went to the United States alone in 1957. He started his activities in New York, and since then his novel expression has been praised worldwide. In 1998, he held his first large-scale solo exhibition at the Museum of Modern Art, New York (MoMA). In 2016, he received the Order of Culture.

© YAYOI KUSAMA/Photo: Kenkato

ART NEWS

More

SHOW WINDOW

Because it is a familiar ingredient, it is rare to recognize that "Tamako" is originally an "egg" that is one stage of the birth of chicken life, but in the spring we are separated from the external environment. The birth of a life that is brought up in a fragile shell, breaks the shell, and inhales the earth's air may overlap the image of spring that endurs the winter. In addition, the newness that exceeds the existing one that is born when change is forced is called "breaking the shell". The breath of a new life released from a narrow shell will dance lightly in the air, receive the first blowing wind, spread gently, and sprout various other lives. The appearance of lathering egg whites and changing to fluffy meringue, expanding the association with the dressed-up lion and poodle hair, springing up with the arrival of spring, the feeling of being invited out of the door, and the excitement of meeting something new Expressed the joy. Every day, I want to grow eggs with the joy of my heart as I eat eggs.

Art Director: Yasuko Sato

PUBLIC ART GINZA SIX proposes a rich life where you can get close to art. Through collaboration with artists and creators, we will develop art programs that stimulate creative energy and sensitivity full of surprising elements.

A sculpture that combines the shape of a morning glory, bellflowers, chrysanthemums, and butterflies with the Edo Komon pattern. At first glance, Edo Komon is one of the small patterns with fine and regular patterns so that it looks like a base. This is the result of craftsmen competing on how to dig and dye fine patterns against the `` luxurious prohibition ordinance '' issued in the Edo period, which prohibits flashy kimono, and refined the design. It is a symbol of aesthetic sense of the times. ※Writer's message "I will create an immortal flower to connect the time, memory, culture, and people's thoughts deposited here in the future."

Shinji Ohmaki

Born in Gifu Prefecture in 1971. He presents dynamic installation works and public art in Japan and abroad that transform the exhibition space into an extraordinary world and wake up the physical sense of the viewer.

Photo: Kenkato

Under the theme of "Rakuen and Boundary", the entire space is regarded as a canvas, and it is composed and drawn using a mirror, and the painting space and reality intersect. Those who stand in front of the picture are reflected in the picture, and the viewer is the protagonist of the painting. By drawing the image of a fictitious paradise in everyone's head with a mirror, the people who come and go, the actual scenery and the world of imagination are mixed, 2D and 3D, what is and is not, past and present, Ideals and reality reverse and create a new space and vision. These symbolize the future being formed by people's imagination.

Misa Funai

Born in Kyoto in 1974. Graduated from the University of Tsukuba Graduate School of Arts in 2001. Exhibited at the "VOCA Exhibition" Ueno Forest Museum of Art in 2009 and 2010 and at the "Wandaful World" Exhibition in Tokyo Metropolitan Museum of Contemporary Art in 2014.

The newly drawn paintings for GINZA SIX have a dynamism on the swaying color, and the contrast expands the deep and vast space. The open and infinite space is our unconscious, and the shape drawn like dancing feels like a part (consciousness) of what we can see. A vivid color painting in a space a little away from the commercial space. People passing in front of them are invited to a pictorial space in Domoto, which is hollowed out by a double structure of unconsciousness and consciousness.

Yuumi Domoto

Born in Paris in 1960. After graduating from the Department of Painting at Tama Art University, graduated from Cooper Union Art (New York). Since his first solo exhibition at Ekijibit Space in Saga-cho in 1990, he has participated in numerous exhibitions in Japan and abroad and has been in many museums.

On the wall (living wall) with a height of about 12m at two locations in the LIVING WALL ART building, a pair of art works by JTQ Tanikawa Junji Reduce will be exhibited.

  • teamLab

    "Universe of Water Particles on the Living Wall"

    Living Wall Chuo-dori

    Size: H11,810 x W1,920mm
    Specification: Digital Installation, LED, Endless

  • View

    Movie

A video work depicting a waterfall that changes with the sunset. "We make rocks three-dimensionally in a virtual three-dimensional space and let the rocks fall water. Water is expressed in a series of countless water particles and calculates the interaction between particles. The waterfall is built as a physical water exercise simulation. Then, a line is drawn on the space by raising 0.1% of water particles randomly selected from the whole water particles. I'm drawing a waterfall with a set of lines. In other words, there are 1000 times the amount of water particles behind the countless lines, and the curves of the lines are determined by the interaction of the whole. "

teamLab

An ultra technologist group composed of specialists in various fields of digital society. He is working on the concept of collective creation beyond the boundaries of art, science, technology and creativity.

© KOZO TAKAYAMA

  • Patrick Blanc

    'Living Canyon'

    Living Wall Mihara-dori

    Size: H11,020 x W2,700mm

  • View

    Movie

Patrick Blanc's original vertical flat art work that uses no soil, interwoven with various plants including endemic species that inhabit Japan. As the work name suggests, it represents the deep valley bottom covered with shadows from the top of the cliff illuminated by the sun's light. Plants also inhabit all weather slopes because each variety perfectly adapts to its unique light energy. The diversity of plant varieties reflects the delicate botanical "beauty", "creativity" and "strategy".

Patrick Blanc

Born in Paris in 1953. A botanist and artist. He works on many vertical garden projects in various environments around the world. Major projects include the Ke Blanri Museum in Paris, One Central Park in Sydney, and the Green Bridge in the 21st Century Museum of Art in Kanazawa.

© KOZO TAKAYAMA

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